I have scratched together a living, in one way or another, as a writer for more than 60 years now. I was a free-lance writer during the early stages of the Vietnam War. I was the Southwest Division Overnight News Editor for United Press International back when UPI was a legitimate news gathering organization. Following that, I went to the Dallas Morning News where I became the first person to write about rock 'n' roll on a daily basis for a Texas metropolitan newspaper. I later became the News' entertainment editor. Following some stints with a couple of prominent PR firms, I had the extraordinary good fortune to team with two communications legends, Ken Fairchild and Lisa LeMaster, as part of one kick-ass media consulting/crisis communications team. That was followed by stints as a department head with the City of Dallas (and its public information officer); the Dallas Northeast Chamber of Commerce where I had the good fortune to meet and work alongside some of this city's business and political titans; and editorial director for QuestCorp Media until that company went out of business. Now officially retired, concentrating on this blog.
With today’s announcement that Viola Davis will compete for a best supporting actress Oscar that means I have to change my forecast I posted a week ago in which I had her listed as a favorite to win a best actress nomination for her role in Fences.
Viola Davis in Fences
This decision of Davis’s to move into supporting also means that Emma Stone has all but locked up this year’s best actress trophy. Davis was the only actress that could give Stone any competition. Now Stone’s main competition will come from Natalie Portman, but I don’t think Academy voters will find the depth in Portman’s performance that is so central in Stone’s. It also means Aja Naomie King must move from my list of predicted nominees for best supporting actress to a "possible" designation. It also means I must rethink my position that Michelle Williams was the sure thing for the supporting actress Oscar.
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